By the Creator granted human rights: a perspective of: "Romeo and Juliet Star Olivia Hussey Dies at 73 | E! News"

Of the descriptive language on the page of the play, "Romeo and Juliet," 

 of the humanity of human thankfulness, 

 it holds to gratitude for your consideration for the following of this comment.

That book struck a chord with me in the video,
 - "Romeo and Juliet Star Olivia Hussey Dies at 73 | E! News," -  (*note: this online link ( https://youtu.be/koosZGH9r3Q?si=7tBwfuYvJNZi97bq ).
~
Of the play called, "Romeo" and "Juliet" played by RIP, show it the video, of Olivia Hussey holds the book, "Olivia Hussey: The Girl on the Balcony."

 The famous balcony scene "speaks" of honest of natural language usage expressive of "Romeo" played by, Leonard Whiting, -*note, ( online of the internet link: https://www.imdb.com/name/nm0926013/ ), 

"Romeo" and "Juliet" played by RIP, Olivia Hussey, had the narrative that does touch the human heart, right?  The listed in the printed version I read in high school, epochs ago, lol, *note: in an assignment in English class I translated the "Old English" to the vernacular,

 -in the usage of English in our historical setting.

The "Benvolio" role touched me, and, of course, 

 -is of cast characters of the list of the roles of characterization, the "ensembles,"[* ensembles, of a personal of sometimes cite a source of obvious words, at the end of this comment].

The *of course* - has that the "tension" is a motif of this scene between "Benvolio" and "Tybalt,"

"SAMPSON  Draw if you be men.—Gregory, remember

 thy washing blow. They fight.

BENVOLIO  Part, fools! Drawing his sword.

 Put up your swords. You know not what you do."

"*Enter Tybalt, drawing his sword.*

TYBALT 

What, art thou drawn among these heartless hinds?

Turn thee, Benvolio; look upon thy death." - [cited bibliographical online info, in *sources.]

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This, of the *obvious* - is of the then in Verona the "bad blood" between the Montagues and the Capulet.

 Their characterized life of to breath in the daily concerns, has that the oxygenated systems, have, the very,  tone *noted: of Tybalt's verbal sword of words, in that scene.

There are these words of heart:

"BENVOLIO 

It was. What sadness lengthens Romeo’s hours?

ROMEO 

Not having that which, having, makes them short.

BENVOLIO  In love?

ROMEO  Out—

BENVOLIO  Of love?

ROMEO 

Out of her favor where I am in love."

[*and*],

"ROMEO 

Alas that love, whose view is muffled still,

Should without eyes see pathways to his will!

Where shall we dine?—O me! What fray was here?

Yet tell me not, for I have heard it all.

Here’s much to do with hate, but more with love.

Why then, O brawling love, O loving hate,

O anything of nothing first create!"

(...)

*of "ROMEO" continued:

 at the of that narrative part,

still of the first act:*

"Feather of lead, bright smoke, cold fire, sick health,

Still-waking sleep that is not what it is!

This love feel I, that feel no love in this.

Dost thou not laugh?

BENVOLIO  No, coz, I rather weep.

ROMEO 

Good heart, at what?"

*[at the end of this comment,

 there are the cited sources of the internet online.].

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For "Romeo" of *prudence* in *cautionary* needed to have his personal life of his needs of goodness sake has his needed personal *discernment* of discretion,

and this has to protect his own *personal* life's concerns,- 

-There is the *blood* on the ground, -and, Romeo of the personal right of human discernment, had been keeping to his own daily business concerns in his life.

 The characterization has the need of imaginative, 

as this: the narrative of the descriptive, 

 be this true, of this:

explicit human personal space inherent rights, 

 of *explicit* permission each occasion,

by the *transparency* this does in true fact, *that Benvolio has to permit* Romeo to speak with Benvolio,- 

-and *this holds to truth indeed of human rights are of the individual during daily life of earthly lifelong journey*,-

In fact Benvolio, has the volunteered, 

in human equality, and Romeo gave is explicit consent for Benvolio to speak to Romeo, in the truth of freedom of his human inner locus,

 *and* of control inherent human freedom of Benvolio's inner self characterized freedom of human thought.

🕊🕯📙🏕of the needed human inner locus of control of the inherent human freedom of thought,

 of the needed circumstances from beyond the natural, and from beyond the human condition,

 -by the human equality of the individual human being person, 

*is* by the *identity* in named of one's own name, of human freedom is inherent, 

 in daily life of the lifelong journey, in that the needed circumstanced have of hopes the fair and just peacefulness, of this, as described.

~

*sources*:

[ "the Cambridge Dictionary"

 "[ + sing/pl verb ]

a group of actors who act together in a movie, play, television series, etc..."

 *online of the internet link: ( https://dictionary.cambridge.org/us/dictionary/english/ensemble )/

].

[

"ACT 1

Scene 1

Enter Sampson and Gregory, with swords and bucklers,

of the house of Capulet." - *online of the internet link:

 ( https://www.folger.edu/explore/shakespeares-works/romeo-and-juliet/read/ ).

]. 🕊🕯📙🏕.